Days are numbers free mp3 download alan parsons project

Explore album. Login Signup Or login with. But when coupled with these unbearable electro beats, I just feel nausea. Definitely, I won't? It is a useless exercise to find any other good track in this album.

It is a huge ''press next'' effort. The best has been heard with the opening number and the rest is mostly poor music. Some sort of second rate ELO from the eighties: do you see what I mean? If ever you are into disco music, you might find this album intersting.

I don't. And for me it isn't worth a? Devoted to woman, it opens with "Lucifer", a provoking and misogynous catchy instrumental number in the vein of "Hyper Gamma Spaces" from the Pyramid album and it is by no means the weakest records of APP as some reviewers have pointed out.

I am not a fan of this soft ballad material from APP. Winding Me Up opens with a clock winding, a musical box melody, violins and then the trademark keyboard funk. It unfortunately settles into soft melodic pop and the mediocrity of the album begins to reveal itself in horrible contrast to previous albums. Hopefully it will get better, I was thinking at this point.

Damned If I Do is one of the album singles so one would expect it would be a decent song. It opens with synthesizer loops and an intriguing synth horn sound. Finally a nice synth instrumental enters and some gorgeous violin strings, before a well executed lead break.

Next up is Don't Hold Back and it is just more of the pop radio sounds that I have already tired of. The vocals are okay coming from the wonderful Clare Torry, but this song is very dull after a minute or so. Next is more instrumental work on Secret Garden. The keys sound like Hyper Gamma Spaces but it is not enough to save this track from being just another filler. It locks into a slow beat after a while which I kind of liked but it is ruined by all the 'oo be do be do be do be wah's that are simply frustrating rather than adding anything to this.

Last is another single with If I Could Change Your Mind, with Leslie Duncan's vocals that are very welcome at this point, but this is simply another slow ballad. The vocals make this one of the best tracks on the album but it is not up to the standard of excellence from previous APP albums.

Overall 'Eve' is disappointing, and very frustrating, as the band are capable of great progressive innovation but it is all thrown out the window to make way for the 80s synth pop sound that permeated the radiowaves but simply is outdated. There is not enough material on this worthy of salvage for a 3 star rating and it barely scrapes 2 stars only because of Lucifer and I'd Rather Be A Man, as well as Clare Torry. The rest is filler or will only appeal to the pop AOR fanbase, rather than a progressive listening audience.

A kind of quizzical concept album about the nature of woman kind - conceived and written by two men we must add - 'Eve' features a selection of songs that meditate on both the positive and negative aspects of the fairer sex, and features cover art despicting two models wearing veils.

Only look a bit closer, and the glamourous women are revealed to have beauty-blighting facial scars. Along with the concept, the cover was one of the many ill-conceived ideas featured on an album that was, sadly, symptomatic of it's era.

The late seventies was still a time of overt male rule in the workplace, and despite the best intentions of both Alan Parsons and his erstwhile writing partner Eric Woolfson, 'Eve' as a concept is, at best, a clumsy mistake.

Instead, this was a song-based album that sought to widen the group's appeal, a ploy that didn't work as well as intended. Fronted by guest vocalists Chris Rainbow and Lenny Zakatek, and with Parsons and Woolfson once again backed by three quarters of the Scottish rock group Pilot, 'Eve' features the usual crisp production values, yet at first listen seems rather unexceptional. However, like all good albums, 'Eve' needs multiple listens to fullt grasp.

The strength of the Parsons and Woolfson creative team was always the outstanding mix of first-grade production skills and hook-laden songwriting, and their ability to graft catchy melodies onto deceptively progressive music. Whilst the latter is largely absent here, it only goes to accentuate the former. Tracks such as the groove-laden opener 'Lucifer', which postulates about the vices of woman, kicks proceedings off with a surprisingly tangy guitar-led sound, and features strong vocals from Rainbow, whilst the edgy 'Damned If I Do' powers along with sharp guitars and snapping snare drums.

There are less impressive moments. Thursday 7 October Friday 8 October Saturday 9 October Sunday 10 October Monday 11 October Tuesday 12 October Wednesday 13 October Thursday 14 October Friday 15 October Saturday 16 October Sunday 17 October Monday 18 October Tuesday 19 October Wednesday 20 October Thursday 21 October Friday 22 October Saturday 23 October Sunday 24 October Monday 25 October Tuesday 26 October Wednesday 27 October Thursday 28 October Friday 29 October Saturday 30 October Sunday 31 October Monday 1 November Tuesday 2 November Wednesday 3 November Thursday 4 November Friday 5 November Saturday 6 November Sunday 7 November Monday 8 November Tuesday 9 November Wednesday 10 November Thursday 11 November Friday 12 November Saturday 13 November Sunday 14 November Monday 15 November Tuesday 16 November Wednesday 17 November Thursday 18 November New User?

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